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Director: Joe Johnston
Main Actors:? Benicio del Toro as Lawrence Talbot/The Wolfman, Anthony Hopkins as Sir John Talbot, Emily Blunt as Gwen Conliffe, Hugo Weaving as Detective Francis Aberline
If you grew up seeing black and white films, you may feel nostalgic after watching The Wolfman because it has the sensibilities of old movies. But if you happen to be part of the Team Jacob generation, this movie is not for you. And being an 80’s kid, I’m quite torn between loving and hating the movie.
I’m a fan of Benicio Del Torro and Anthony Hopkins. I watched the film to see them perform. And yes, they delivered. No need for long dialogues and dragging back story to explain the complexity of their father-son relationship amidst their unusual situation.
And since the movie is a remake, the storyline stays true to its form—a man transforms into a beast every full moon. I was hoping that they would add something new to the story. It can be trivial, just to make the film less predictable.
But The Wolfman has its shining moments. For those who are suckers for grand revelations, you will love it when the doctor at the asylum tries to prove to the elders that Lawrence (del Torro) is delusional. He makes his presentation during full moon, and much to their surprise, Lawrence became a werewolf and mauled the doctor to death.
If you ask me what kind of movie is The Wolfman—it’s a “slash” movie, suspense/romance/drama. So for The Wolfman in slashing a perfect 10 to half, I’m giving the movie 5 out of 10 popcorns.
By Guest Writer Ms Mahan Ramos.
SANTAU
Cast: Esma Daniel, Putri Mardiana, Riezman Khuzaimi
Director: Azhari Mohd Zain
Running Time: 1 Hour 23 Minutes,
Distributor: Metrowealth
Genre: Thriller / Horror
General Release Date: 10 Dec 2009
After 33 previous films, looks like the local prolific powerhouse that is Metrowealth Movies Production (or more often credited as Metrowealth International Group, MIG) has finally got it right. With the release of “Santau”, Malaysian cinema can finally boast of a projected box office shockbuster that is solid as it is sound, and one that can travel regionally as a credible and entertaining supernatural horror flick, immediately bettering those pocong and kuntilanak efforts that pour in all too easily to these shores from neighbouring Indonesia.
Like watching a movie adapted from a Stephen Kingbook, “Santau” combines an ancient Malay occult practice with a tight story, decent editing, convincing traditional FX and an able cast lineup to offer a complete movie experience that is frankly woefully missing in part or in whole from previous MIG movies such as “Jangan Pandang Belakang” and “Congkak”. This time around, sudden loud noises, constant shrieking and overdone look-behind-you shots take a backseat to proper character development and scene resolution as we follow a married couple and their daughter who are all hexed by an unknown enemy with black magic prowess.
Newcomer Putri Mardiana may have a slightly limited range of emotions but eating live maggots and other physically challenging possession scenes make her an actress to look out for in upcoming projects. Her nervous housewife character Nina is the chief accursed and she is well supported by Esma Danial as the desperate husband Halim, while young Farisha Fatin gets an introduction as their confused child. At any point if the inconsistent performances by these actors threaten to show, all is well covered by a progressive story with complementing camerawork and some truly macabre makeup and special effects. Riezman Khuzaimi, Zul Handy Black and Bob Lokman also star in supporting roles. However, perhaps it is greenhorn director Azhari Zain and his immediate crew who are to be lauded for this wonderfully scripted effort.
Complete with customary twist and an extended climax overkill in exorcism ritual (not to mention without the token romantic subplots and other useless cinegredients that plague local horrors), “Santau” is chillingly effective like a local “Drag Me To Hell” and isn’t too far off from being the best thing Malaysia can yet hold up to classics like “Exorcist” and “Poltergeist”. This will be an intense hair-raiser you won’t be embarrassed for enjoying and getting the demon scared into you in all its violent, bitter black glory